Podcast

On this week's episode, DEM chops it up with Ant, the producer half of the iconic rap duo Atmosphere. His debut instrumental album, Collection of Sounds Vol.1, is the first release of a four-part series dropping via Rhymesayers Entertainment on September 6th. Ant talks about DJing, his obsessive record-collecting habit, and how he stays healthy on tour.

During the banter segments, we learn about Nate's L.A. food journey, the patron saint of lost wallets, and Nebraskan Reggae.

Dad Bod Rap Pod reps Stony Island Audio to the fullest.

Birthday twins DEM and Cutso linked up on the theme song. That's the late great Don Newkirk at the top of the song.

We'll be the first to admit it... the rumors are true, we do have a Patreon. Behind the paywall there is a shadow universe of exclusive audio segments, record reviews, polls, discussion, and one very special fake radio show. DBRP co-host Nate LeBlanc will occasionally reach into the record shelves to play some jams and talk about them a little. Today we pull back the curtain to bring the eclectic selections to the main pod feed. On this episode, we are focusing on features, sharing some songs with notable guest verses. In what was meant to be a clever twist, the show itself features guest appearances from the rest of the Dad Bod conglomerate. David Ma drops by to talk about the all time classic guest shots on Cuban Linx, while Demone Carter leads us on a reconsideration of a monster EPMD joint. If you like what you hear this week, please consider joining the Dad Bod Rap squad at patreon.com/dadbodrappod

DBRP is produced by Demone Carter. Theme song by Dem One and Cutso. We are in cahoots with Stony Island Audio in a podcast network type of way.

What makes a spy creamy? How important is it for lyrics to make grammatical sense? Has any record ever had a better vibe than this one? These among many other questions are answered by Dad Bod Rap Pod hosts Demone Carter, David Ma, and Nate LeBlanc on this week's look back at Digable Planets' 1994 album Blowout Comb. This record was the last official release for the Planets after their hit debut, Reachin' changed the sound of hip-hop briefly a few years earlier. Blowout Comb is another animal (insect?) entirely, a reflective, subtly swaggering tribute to Trouble Man-era Blaxploitation suffused with Panther politics and a warm, analog sonic palette. While reaction to the album was somewhat muted at the time, this album has become something of a cult classic for folks who like their rap records thoughtful and adventurous. Join us as we reconsider the themes, design, lyrics, beats, and messaging of an excellent slab of Brooklyn bohemianism.

DBRP is produced by Demone Carter and released by Stony Island Audio, a swell group of hip-hop know-it-all's. Theme song produced by Cutso, who is in our hearts this week. Love you, P.

Welcome to Dad Bod Rap Pod, a years-long hip-hop related conversation between three 40-somehting friends. This week the fellas Nate LeBlanc, David Ma and Demone Carter re-listened to Dare Iz A Darkside by Redman and were somewhat surprised by what they heard. In the 30 years since this record was released, Red has gone on to become a beloved character even outside of the rap realm, and we are huge fans of him and his work. That said, listening to this album with fresh ears, we found that we were not really able to tune into its very specific frequency. We digest all of this and discuss some of this challenging work's peculiarities over the course of a nuanced conversation. And in the second segment, we debut a new game we are working on to see how well we know each other after seven years of working together on the show. Please feel free to tell us how wrong we are @dadbodrappod on IG and Twitter, or to attain truly next level hating credentials, you can subscribe to our Patreon www.patreon.com/dadbodrappod and tell us that we are idiots to our digital face behind the paywall. Dad Bod Rap Pod is brought to you by Stony Island Audio, which is named after a street in Chicago but I always picture it like a bunch of rappers and rap writers all getting high together on a stereotypical desert island like the ones from the Far Side cartoons.

It's pretty rare for a rapper of Skyzoo's caliber to perform live in downtown San Jose where our podcast is based, so we made sure to not only attend the show but to hang out in the green room a bit and have a conversation with one of NY's finest. Dad Bod Rap Pod hosts Demone Carter and David Ma chat with the gifted lyricist about his recent record The Mind Of A Saint (Deluxe), a fascinating concept album that is based on the television program Snowfall. This is our second time interviewing Skyzoo, please check out DBRP 180 for an in-depth conversation about his great album All The Brilliant Things. We here at Dad Bod Rap Pod are huge proponents of artists swinging for the fences, and this record is a great example of a mid-career MC doing something a little different and succeeding. We encourage you to check out the album whether you have seen the TV show or not, it works as a standalone project, and we imagine it would be all the more enjoyable if you're well versed in the lore of the show as well. In the bracketing banter segments we review the album, talk about Skyzoo's live show, and delve into a near tragedy with co-host Nate LeBlanc's air pod headphones, which he insists on calling the Dad Bod Air Pods.

DBRP is a Stony Island Audio experience, please make sure to check out the other fine programs on the network.

This week we stagger in the gathering to discuss Common's classic 1994 release Resurrection. This is an important record for DBRP hosts David Ma, Demone Carter, and Nate LeBlanc, who collectively cannot believe this album is 30 years old. We discuss the incredible synergy between rapper Common Sense (as he was then known), producer NO I.D. and scratchmaster Mista Sinista, as well as the relative merits of Common's father's outro contributions, some of the samples used, and so much more. Common was on the rebound from the reception to his debut album Can I Borrow A Dollar when he was creating Resurrection, so we spend a bit of time discussing the reception to that misfire and how he came back hard with this album, which all of us view as an unimpeachable classic. Time has been pretty kind to almost all of this record, with the possible exception of its best known track, the narrative masterwork "I Used To Love H.E.R." We also get into Com's beef with Ice Cube, which is interesting to look back on given the current state of blockbuster rap rivalries at the moment.

As you will probably notice, we recorded this episode from the Harmony Hotel in District 1 of Ho Chi Minh City in the beautiful country of Vietnam. We will be rolling out a miniseries documenting more of our travels and experiences there soon, be on the lookout for that.

DBRP is mixed by Taylor Weng, contains a theme song by Cutso and DEM ONE and is produced by Demone Carter. You would not be hearing this without the efforts of Stony Island Audio.

To our comp we're a ton, we get amped like stones on an island. Our patreon is a commodity so buy it: www.patreon.com/dadbodrappod

T3 and Young RJ of Slum Village join us this week to talk about their new album F.U.N, their extensive history, their Detroit MC Mount Rushmore, and much more. Along the way we dive into the mythology of them rhyming to a click track early in their career, the musical fullness of the new record, and modern day roller skating jams.

In the banter segments, we talk about the new LL Cool J song produced by Q-Tip, which winds into a long digression about Tip's musical legacy and who may be hip-hop's version of Stevie Wonder, should such such a thing exist. We also get into the ideal grown man short length, beach activities, and the first of what is sure to be many breakdancing competitions at the Olympics. We also spend some time talking about dreadlock etiquette, cooking shows, and of course plug our Patreon, which you can find at www.patreon.com/dadbodrappod

DBRP is mixed by Taylor Weng. Theme song by Cutso & DEM ONE. Produced by Demone Carter. Brought to you by Stony Island Audio.

*Note: This episode originally dropped on June 18th, 2020*

This week we have a rangy interview with billy woods and Elucid, the members of group Armand Hammer, whose new record Shrines is among the year's best. They provide insight into the album's origins, artwork, and their trusted circle of collaborators among many other topics. In the second segment the fellas discuss the best rap records of the year so far, a check-in on the state of the art as we reach the halfway point of this chaotic but increasingly inspiring year. Beats for this week's show were submitted by Controller 7 and we thank him for the contributions. Our theme song is composed by DJ Albert Jenkins.

It's a tale of two halves on Dad Bod Rap Pod this week. In the intro segment we take a look back at The Fugees' first album Blunted on Reality, released 30 years ago in the thick of one of hip-hop's best overall years, 1994. For now, let's charitably call it an uneven debut from a group still finding its voice. Please click play on the episode to hear a lot more of our thoughts. This album is full of baffling decisions, yelling, and very few cool moments. After the break, hosts Nate LeBlanc, Demone Carter and David Ma turn our frowns upside down and discuss some of our favorite underground hip-hop releases of 2024 thus far, kind of a halfway through the year check in. We have nuanced takes on and praise for Heems' album LAFANDAR, Mach-Hommy's brilliant RICHAXXHATIAN, and Schoolboy Q's occasionally floaty Blue Lips.

If you're reading this please consider supporting DBRP by joining our Patreon, where for a few dollars a month you get exclusive access to a steady stream of bonus audio segments, eclectic and well-researched playlists, as well as tons of music recommendations from us as well as our community of homies.

www.patreon.com/dadbodrappod

DBRP is mixed by Taylor Weng, produced by Demone Carter, explained via theme song by Cutso and DEM ONE, has art by Dewey Saunders, is booked by David Ma, contains the high pitched and extra loud laughter of Nate LeBlanc, and is heard via the mighty Stony Island Audio podcast network.

You wanna see a dead body? All you need to do is listen to this week's guest, one of hip-hop's most unique MCs, Brotha Lynch Hung. Hailing from the under-discussed rap bastion of Sacramento, California, Lynch is the creator of his own unique brand of horror-centric rap music, which he calls Ripgut. Lynch's music is extremely popular in the Bay Area where we grew up, and while we may not be everyday listeners to the music, we certainly respect his consistency, hustle, and vivid writing style. For those unfamiliar with Lynch's output, be warned, it can be extremely graphic and maybe even a somewhat disturbing for the uninitiated. That said, we respect the fact that BLH has created his own musical universe, self-producing and releasing many of his landmark albums. This is one of our most unique interviews to date, and a must-hear for fans of Lynch's horror movie-inspired art.

Speaking of horror films, that is the topic for this week's intro segment, as DBRP hosts Demone Carter, Nate LeBlanc and David Ma discuss their takes on the ubiquitous genre, from formative experiences as kids, to a predilection for psychological thrillers nowadays. In the outro, we dig deeper into the so-called "horrorcore" hip-hop subgenre, a style that is often discussed but one that no prominent artists seem to self-apply to their music. Along the way we touch on such artists as Viper, ICP, Esham, and a few others you may not be expecting us old head classical rap fans to mention.

DBRP is mixed by Taylor Weng. Theme song by Cutso and DEM ONE. Brought to you by the letter 'S' which stands for Stony Island Audio, a gut-rippingly good podcast network.